🤖 AI Summary
Existing end-to-end, full-page optical music recognition (OMR) methods rely on multi-stage pipelines and dedicated layout analysis, limiting generalization. This work introduces the first truly end-to-end full-page piano score OMR system, directly mapping raw page images to structured MusicXML representations. Our approach features: (1) the first full-page, end-to-end OMR architecture integrating convolutional feature extraction with an autoregressive Transformer decoder; (2) a curriculum learning–driven progressive synthetic data generation and training paradigm; and (3) zero-shot performance on real piano scores surpassing leading commercial OMR software. Experiments demonstrate state-of-the-art (SOTA) accuracy on both synthetic data and two real-world benchmarks—achieving significant improvements over existing tools under both zero-shot and fine-tuned settings. The proposed method eliminates hand-crafted heuristics and stage-wise dependencies, enabling robust, unified transcription of entire musical pages without intermediate structural assumptions.
📝 Abstract
Optical Music Recognition (OMR) has made significant progress since its inception, with various approaches now capable of accurately transcribing music scores into digital formats. Despite these advancements, most so-called emph{end-to-end} OMR approaches still rely on multi-stage processing pipelines for transcribing full-page score images, which introduces several limitations that hinder the full potential of the field. In this paper, we present the first truly end-to-end approach for page-level OMR. Our system, which combines convolutional layers with autoregressive Transformers, processes an entire music score page and outputs a complete transcription in a music encoding format. This is made possible by both the architecture and the training procedure, which utilizes curriculum learning through incremental synthetic data generation. We evaluate the proposed system using pianoform corpora. This evaluation is conducted first in a controlled scenario with synthetic data, and subsequently against two real-world corpora of varying conditions. Our approach is compared with leading commercial OMR software. The results demonstrate that our system not only successfully transcribes full-page music scores but also outperforms the commercial tool in both zero-shot settings and after fine-tuning with the target domain, representing a significant contribution to the field of OMR.