MusicMark: A Robust Generative Watermarking Framework for Music Generation

πŸ“… 2026-07-13
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Existing audio watermarking methods primarily target speech and struggle to accommodate the complex structure of music. Moreover, they typically rely on post-processing embedding after generation, rendering them vulnerable to attacks such as neural codec resynthesis or cover performances, which limits their traceability. This work proposes MusicMark, the first approach to intrinsically embed watermarks during the music generation process itself. By introducing a watermark adapter in the denoising stage of a diffusion model, MusicMark couples the watermark with the musical content in the semantic latent space. Through a joint training objective and attack-aware augmentation strategies, the method achieves high-fidelity audio generation while significantly enhancing robustness against resynthesis and cover attacks, substantially outperforming existing post-processing baselines.
πŸ“ Abstract
AI music generation has rapidly advanced alongside commercial platforms, raising the need for reliable watermarking for provenance and attribution. However, existing audio watermarking research has largely focused on speech, and applying speech-oriented methods to music is challenging due to music's complex structure and rich acoustic texture. Most existing methods are post-hoc, adding imperceptible perturbations after generation rather than embedding watermarks as part of the content. This makes them fragile under transformations and especially vulnerable to neural codec re-synthesis, which can discard imperceptible residual signals. Moreover, since generation and watermarking are decoupled, the watermarking step can be bypassed or omitted, weakening provenance guarantees. To address these issues, we propose MusicMark, which, to the best of our knowledge, is the first generative watermarking framework for music. Specifically, MusicMark embeds watermark messages into the semantic latent space during generation, incorporating the watermark as part of the musical content and ensuring robustness against diverse attacks, particularly neural codec re-synthesis. To this end, we introduce a watermark adapter into a diffusion-based generation model to embed watermark messages across denoising steps. The adapter and detector are trained with a joint objective that preserves fidelity by constraining watermarked latents close to their unwatermarked reference latents, while improving robustness through attack augmentations. Experiments demonstrate that MusicMark substantially outperforms post-hoc baselines across diverse attacks including neural codec re-synthesis, while maintaining comparable generation quality. We further introduce a cover-song attack, converting the singing voice while preserving musical content, and show that MusicMark remains more robust than post-hoc methods.
Problem

Research questions and friction points this paper is trying to address.

music watermarking
generative watermarking
neural codec re-synthesis
provenance attribution
robustness
Innovation

Methods, ideas, or system contributions that make the work stand out.

generative watermarking
music generation
diffusion models
neural codec robustness
latent space embedding
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