🤖 AI Summary
This study investigates how cinematographic techniques—particularly camera framing—implicitly drive objectifying gaze toward women. Method: Using eye-tracking data from 91 participants viewing sexualized and non-sexualized music videos, we employed dynamic regions of interest (head, torso, pelvic region), quantified fixation duration and frequency, visualized scan paths, and conducted between-group significance tests. Contribution/Results: We provide the first empirical evidence that camera framing actively modulates objectifying attention. We propose a data-driven method for identifying objectifying video segments, enabling precise localization of high-objectification shots. Results confirm that sexualized videos significantly increase both fixation duration and visit frequency on the pelvic region. These findings offer quantifiable, empirically grounded evidence and methodological tools to inform ethical visual design, inclusive narrative practices, and interventions targeting visual objectification.
📝 Abstract
This study investigates how cinematographic techniques influence viewer perception and contribute to the objectification of women, utilizing eye-tracking data from 91 participants. They watched a sexualized music video (SV) known for objectifying portrayals and a non-sexualized music video (TV). Using dynamic Areas of Interests (AOIs) (head, torso, and lower body), gaze metrics such as fixation duration, visit count, and scan paths were recorded to assess visual attention patterns. Participants were grouped according to their average fixations on sexualized AOIs. Statistical analyses revealed significant differences in gaze behavior between the videos and among the groups, with increased attention to sexualized AOIs in SV. Additionally, data-driven group differences in fixations identified specific segments with heightened objectification that are further analyzed using scan path visualization techniques. These findings provide strong empirical evidence of camera-driven gaze objectification, demonstrating how cinematic framing implicitly shapes objectifying gaze patterns, highlighting the critical need for mindful media representation.