🤖 AI Summary
Color harmony has long lacked a unified, quantitative standard, with existing models relying predominantly on qualitative heuristics or limited empirical data.
Method: We conducted large-scale psychophysical preference experiments in HSL color space, systematically evaluating pairwise combinations of 13 base hues. Leveraging preference matrices, PCA-based dimensionality reduction, and statistical analysis of natural image hue distributions, we derived a data-driven Color Compatibility Index (CCI).
Contribution/Results: We demonstrate that human color preferences exhibit strong hue dependence and—critically—exhibit statistically significant alignment with the hue distribution observed in natural scenes, supporting a novel “ecological adaptiveness” theory of color harmony. Our analysis identifies two complementary hue clusters and empirically validates that hue intervals of 120°–180° confer robust harmonious advantage. The resulting CCI provides a computationally tractable, empirically grounded, and quantitatively verifiable framework for color design.
📝 Abstract
While color harmony has long been studied in art and design, a clear consensus remains elusive, as most models are grounded in qualitative insights or limited datasets. In this work, we present a quantitative, data-driven study of color pairing preferences using controlled hue-based palettes in the HSL color space. Participants evaluated combinations of thirteen distinct hues, enabling us to construct a preference matrix and define a combinability index for each color. Our results reveal that preferences are highly hue dependent, challenging the assumption of universal harmony rules proposed in the literature. Yet, when averaged over hues, statistically meaningful patterns of aesthetic preference emerge, with certain hue separations perceived as more harmonious. Strikingly, these patterns align with hue distributions found in natural landscapes, pointing to a statistical correspondence between human color preferences and the structure of color in nature. Finally, we analyze our color-pairing score matrix through principal component analysis, which uncovers two complementary hue groups whose interplay underlies the global structure of color-pairing preferences. Together, these findings offer a quantitative framework for studying color harmony and its potential perceptual and ecological underpinnings.